I'm in sixth-form college in my home town, studying for my A-Levels, the exams that will take me away to university. Two of the four are Maths and Further Maths, and I'm struggling.
This does not come easily to me.
It's been like this for months, me dragging myself along at the bottom of the top class. This is a new experience, and I'm finding it difficult. There's some seriously talented people in my class, folks who will breeze through both this homework and the final exams before elevation to Oxford and Cambridge.
As I'm wrestling with second order differential equations, I have music to keep me company; a much-loved and well-worn cassette tape copy of Synchronicity by The Police.
It's fabulous stuff; bold and varied and daring and just a tiny bit crazy. Totally irresistible rhythms, perhaps not the best music to listen to when you're trying to concentrate.But it's cool and familiar and it speaks quietly to me as I work.
This album has been my companion since the start of the course. Of my twenty hours in the classroom every week, thirteen are devoted to maths. Four different teachers impart different aspects of the mathematics curriculum, and pound us with homework. I'm doing as many hours at home as I am in class, and with a little bit of coaching from a couple of sympathetic brainboxes - again a new experience - I'm hanging in there.
As the album ends, I fumble absently with the cassette player, eject the tape, flip it, put it back, slam the deck shut, and press Play.
The driving synths of Synchronicity 1 have faded into the lilting Walking In Your Footsteps by the time I crack the question on the third attempt. The unhinged Mother and the comical Miss Gradenko slip quietly by in the background as I try to make progress with the next equation.
Then, the grandiose Synchronicity 2 demands my full attention, and I down tools mid-question for a few minutes. I'm moved by the song's beautiful chord changes, but puzzled by its impenetrable lyrics.
I have no idea what synchronicity even means.
Every Breath You Take kicks in, a haunting story of obsession. Somehow, this shifts my mental loose change about, I return to the equation with new focus and knock it correctly into touch by the time King Of Pain hits my ears. I feel I'm on the downward slope now, and five more questions grind painfully-mechanically past me as Wrapped Around Your Finger gives way to the closing track, Tea In The Sahara.
Three more sets of questions await me; Chi-squared statistical tests, matrix transformations, and a proof of the volume of a sphere using an integral method called volumes of revolution.
I flip the tape wearily.
Sunday mornings are long.
It's 2010. The Sunday morning routine. Four or five hours of blogging.
I'm at home in Cambridge, trying to get my mojo together. Ideas, photos, juxtapositions, intentional incongruities, humour. But I'm struggling, and have been for months. I love my blog, I love my output, but it's hard work. Every entry is a labour of love.
This does not come easily to me.
As the thought that this reminds me of something passes through my brain, an item of junk e-mail arrives. From a major internet music provider. Special offers. Classic albums. Looking for some inspiration, I click the link and the web page fires up.
Synchronicity by The Police is at the top of the list.
Twenty four years after I first heard the word, I now know what it means:
Synchronicity is the experience of two or more events that are apparently causally unrelated occurring together in a meaningful manner. To count as synchronicity, the events should be unlikely to occur together by chance.
The very definition of this event.
Synchronicity revolving round an album called Synchronicity.
Synchronicity squared.
I buy, download and jockey the album up. I set the Repeat function, and click Play.
It's fabulous stuff; bold and varied and daring and just a tiny bit crazy. Totally irresistible rhythms, perhaps not the best music to listen to when you're trying to concentrate.
But it's cool and familiar and it speaks quietly to me as I work.
I type away happily.
Sunday mornings are long.
But not as long as the used to be.
Indigo
This blog entry is protected by copyright © Indigo Roth, 2010
This post deserves...an out-of-this-universe reward. Indigo, you should totally submit this as a short inspirational essay/short story/whatever! It would sell faster than hotcakes! Way, way faster, because I've tasted hotcakes and they're not nearly as good as this post.
ReplyDeleteThis is an awesome post. Period.
Scott
P.S. Every Move You Make is disturbing. I'm always making up more lyrics to it absentmindedly when it's in my head. Every cake you bake...every vampire you stake...all the leaves you rake...I'll be watching you.
With me, the album was 'Time' by ELO. Invariably reminds me of struggling with chemistry and wondering if I would always feel this thick. Lovely post.
ReplyDeleteHey Scott! Thanks for the major up, matey. I had no idea we could do anything with our work other than love it and hope other people don't hate it. I'd be too embarrassed. English reserve, you know?
ReplyDeleteARE YOU EMBARRASSED EASILY? I AM. BUT IT'S NOTHING TO WORRY ABOUT. IT'S JUST PART OF GROWING UP AND BEING BRITISH.
But it is a disturbing song, yes. SPITTING IMAGE (a UK satiric show from the 80s) did a superb version, which Sting sung: http://bit.ly/qxqEp
Hey Madame DeFarge! I know it well. The closing sequence/collapse always wells me up for some reason. Damn, there I go again. Twice in a day.
Thanks to you both! Indigo
And yes Scott, hotcakes are nice but give me wind. Cool scones with jam and cream, and a nice cup of sweet milky tea! Bonanza!
ReplyDeleteYes, I love it. Shades of Dr Manhatten's life history dialogue. One of the virtues of getting a little older is that we spot the patterns in our own life stories. I realise now how much I have done and how much more I haven't even thought about.
ReplyDeleteTop notch piece of writing.
Ooh, wonderful post. I love rediscovering music that once was part of me. And now it's so easy to find and download these memories...but it takes talent to turn them into such lovely prose.
ReplyDeleteSynchronicity... sublime when it occurs! My brain has also been mired in sludge lately... perhaps some music is just what I need. Thanks for a marvelous post!
ReplyDeleteabsolutely amazing - from all sides. =)
ReplyDeleteNow this is a fun story of serendipity, isn't it? Well done Indigo!
ReplyDeleteThe publishing world will cry without you, Indigo! But better to let a few love it than many hate it just because they know they could never write something as awesome.
ReplyDeleteScones with jam and cream? Now you're talking! We Americans pronounce them Sk-Ohnes, which I think takes a lot of the flavor away so I always speak of them the old British way.
I have not been around to comment lately - but I *have* been reading. I wouldn't miss a single posting - but I'd miss you if you weren't here, so I'm exceptionally pleased that you labour so intently.
ReplyDeleteAnd Synchronicity was a great album. I played Synchronicity 2 again and again - it was so chilling and, these days, seems like such a 'sign of the times' track.
I think it was the first song on side 2 of the LP, from memory?
Anyway, enough from me. End of comment. Love your work, Indigo.
Hey 'Difficult. Thanks matey. I'd not noticed, but yes, there's more than a hint of the blue guy about it. There's a good reason why I use this trick - this is not the first time - but it's too dull to mention. As for finding patterns in chaos, I must confess it's a favourite pastime.
ReplyDeleteHi Blissed-Out! Thank you, you said quite a special thing there. I found my old vinyl albums the other day, and was surprised how many of them I now have on CD. So clearly my tastes haven't changed that much over the years. They just got wider, much like myself.
Hey CatLady! I know what you mean. I have many "in progress" works that just aren't ready to go. They will be, though. I'm patient, and thankfully you lot are too. Crank up the Death Metal, you'll be clear headed in no time. Or are you more of an Jimi Hendrix woman? AC/DC maybe? (with Bon Scott, duh)
Hola Eolist! Thank you, you're too kind. I must confess to being slightly bewilderbeested that this one is going down so well. I rather liked it, but that's rarely a reliable indicator. Glad you enjoyed!
Hey Jen! It was a tiny dollop of life. And sometimes it's stranger than the other weird things I write about.
Hey Scott! *Brigadier mode* Right, stop that! This is getting silly! *cancel* We pronounce scone as both "sconn" (like "gone") and "scohn" (like "stone"), depending on where you're from in the country. I'm an unashamed "sconn" man, contrary to my birthplace. As for the entry, it's just a bit of whimsy, a brainfart if you will. I'd like to think most writers don't wing it as much as I do. Move along folks, nothing to see here!
Hey Matthew! Thanks matey, glad you're lurking about there someplace. I think you're right about the song placement. And yes, a hell of a song; ahead of its time, and probably not understood. Mr. Sumner is a well-read fella, but must have known that very few of his audience would know the works of Carl Jung (Synchronicity) and Gilbert Ryle/Arthur Koestler (Ghost In The Machine) to understand the references.
In contrast, today I am listening to MASTER OF PUPPETS by METALLICA.
Good grief, how many comments was that?
Thanks one and all! Indigo
You are a very clever man.
ReplyDeleteI loved The Police! And I love your writing x
I remember a previous post where you said something about treading a fine line between two worlds: scientific and artistic. This post reveals that fact so very well. I loved that album and went on to buy everything Sting did after that, loving his jazz-influenced rhythms and his incredible haunting poetry. Please don't give up the blog, unless it is to do even more with your writing :)
ReplyDeleteYou're listening to MASTER OF PUPPETS by METALLICA?! Are you just trying to remind yourself how good the rest of their work is?
ReplyDeleteHey Kitty, thank you! Undeserved, but thank you. I had another album of theirs from 1986, a best of compilation (one of several called Every Breath Yo Take) which I'm also very fond of, but I've never listened to the majority of their output. But maybe I will!
ReplyDeleteHey Rebecca! I think The Police's output has aged better than Sting's, and that the contributions of Mssrs. Copeland and Summers are underrated. AND HEY! Reports of the demise are blog are exaggerated. I'll not be giving it up. It's hard work, but man, do I have backbone. Call it tenacity, determination or sheer bloodymindedness, but I got it.
Hey 'Difficult! Oh, I rather like MASTER OF PUPPETS, but I'm not convinced they've done much of note past the black album. LOAD, RELOAD and GARAGE, INC were pretty tedious. S&M was pretty good, and ST. ANGER had its moments. But give me KILL 'EM ALL and (maybe) RIDE THE LIGHTNING! Ah, happy days!
Thanks one and all! Indigo
Indigo, I truly enjoy reading you. This post was brilliant! Now every time I hear Every Breath You Take, I will think of you. In a non-stalkish, I-admire-your-writing kind of way ;-)
ReplyDeletexoxo
Hey Ms. Fin! Thank you, I'm hugely flattered by that; it's a beautiful song. I'm a bulldog in a sack of wrenches chewing a wasp by comparison. Indigo x
ReplyDeleteI have this album on vinyl, a classic! I know what you mean by using music to get you through brain taxing times. But if your album of choice has a reflection on the self... what does it say of me if I used to listen to Crash Test Dummies =/
ReplyDeleteThat was an awesome post!! I love that you re-discovered a much loved album all because of synchronicity. What an amazing thing to happen!
ReplyDeleteIt's the little stuff like this that make me think we are not alone on this planet, or in this universe. Not sure who our friends are, but I like it when things like this happen :)